Caught in the Wave of Landmvrks’ new album — The Darkest Place I’ve Ever Been

Written By Naomi P

Band: Landmvrks
Album Title: The Darkest Place I’ve Ever Been
Label: Arising Empire
Release Date: 25/04/2025

I’ve been sitting on this album for a couple of months now, listening to it on repeat, captivated every time. And yet, I couldn’t write anything until now. But I knew it was more than worth the wait. So here are some of my thoughts on Landmvrks’ latest album, The Darkest Place I’ve Ever Been.

Album cover

Landmvrks wastes no time pulling us into their world. The self-titled opener starts off soft, a perfect showcase for Flo’s vocals, before crashing into a blast beat that hits like a tidal wave (just like the cover art suggests, clever). It’s intense, emotional, and sets the tone for what is easily their most ambitious and dynamic record yet.

One of the things I love most about this band is their ability to balance chaos and clarity. Songs like “Creature” and “A Line in the Dust” deliver catchy choruses, Flo’s signature rap flow, and that perfect blend of heaviness and melody. When they bring in French lyrics — especially in “Blood Red” and the stunning “La Valse du Temps” — it adds a whole new dimension. That waltz-metalcore fusion? Genius. While waltz originated in Austria, it became a major part of French musical culture too, and this track feels like a nod to that heritage. But of course, it’s still kicking you in the face with their signature intensity. I wish more bands leaned into their native language like this. I’m genuinely glad Landmvrks went all in on the French this time around.

The album flows beautifully, filled with moments that catch you off guard in the best ways. “Sombre 16” offers us a rap-driven interlude with an old-school beat, while “The Great Unknown” brings that early 2000s Linkin Park energy I didn’t know I missed. And just when you think it’s safe, “Deep Inferno” and “Requiem” drag you back into the chaos with brutal breakdowns, blast beats, and Flo’s wild range of vocal styles. It’s chaotic but controlled, and every band member gets their moment: Kevin’s groovy drumming, Rudy’s rumbling bass lines, Nicolas and Paul’s infectious riffs, and of course, Flo’s powerhouse vocals.

And then there’s “Funeral”. A piano-voice track that closes the album with a haunting, nostalgic tone. It almost feels like the record placing a gentle hand on your shoulder after the emotional storm. It’s eerie, calming, and strangely calming.

As a whole, The Darkest Place I’ve Ever Been is an emotional purge. It’s dark, heavy, beautiful, and feels deeply personal. Landmvrks have outdone themselves. And honestly? I can’t wait to keep this one on repeat.

Naomi P
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